{"id":1837,"date":"2024-12-04T13:45:52","date_gmt":"2024-12-04T13:45:52","guid":{"rendered":"https:\/\/studentpress.hku.nl\/ischa.westerveld\/?page_id=1837"},"modified":"2024-12-06T23:45:45","modified_gmt":"2024-12-06T23:45:45","slug":"lor","status":"publish","type":"page","link":"https:\/\/studentpress.hku.nl\/ischa.westerveld\/?page_id=1837","title":{"rendered":"LOR"},"content":{"rendered":"\n
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Leerlijn, onderzoek en reflectie<\/h1>\n\n\n\n

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Research existing work<\/h2>\n\n\n\n
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This led me to five minutes https:\/\/fiveminutes.gs\/<\/a>. In this you have to click some things and do some interactions to keep the protagonist alive and the story going. It didn’t offer any choices in the story nor where most interactions deeply connected with the story. <\/p>\n<\/div>\n\n\n\n

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I also looked into Alan Wake II. This game is a special case, because the story is complicated. The use of film integrated in the game works well because the story is about stories and dimensions. Because of this the use of a different medium works really well, but I can’t figure out the logic (if there is any) when it’s used. <\/p>\n\n\n\n

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